![]() ![]() And finally, create popular looks that can be saved as presets. We're going to perform secondary corrections with the help of masks and using an eyedropper to isolate color. We will use these tools to adjust contrast, saturation, and color in a clip's shadows, midtones, and highlights. We will look at working in the color inspector, to apply a color board, color wheels, color curves, or hue and saturation curves adjustment. In the first few chapters we will learn how to use the built in tools to effectively grade our images. This course is designed to give viewers an extensive overview of Final Cut Pro X's color correction workflow so you can manipulate and adjust your video clips with ease. If you're looking to enhance your projects and story through color, Final Cut Pro X offers a variety of tools, scopes, and effects for you to grade with. Maybe your video image has a color cast or looks flat or you want to learn to work with LUTx. In this, we're going to take a deep dive into how to work with color in Final Cut. Welcome to the Final Cut Pro X Guru color correction course. I'm a video editor and motion graphic designer. This is a huge attraction if you use an iPhone as your primary asset generator (which I do).- Hi, I'm Nick Harauz. Final Cut Pro enables you to adjust the strength of the blur in post! You can even change the focus point during a Cinematic mode sequence and pull focus from a foreground to background person (or vice-versa). If you shoot in Cinematic mode using the iPhone’s Camera app then you can add a blurred background to a subject. It will also handle video files from a wide range of cameras such as ARRI, Sony, Panasonic, and Canon including formats such as ARRI Log C, Canon Log 2/Cinema Gamut, Panasonic V-Log, Sony S-Log2/S-Gamut, and Sony S-Log3/S-Gamut3.Cine. Final Cut Pro is optimized to run on my Mac’s M2 chip and it happily plays 4K footage from the LaCie stored library without a stutter.įinal Cut Pro also enables you to work with ApplePro Res footage so you have plenty of information to reveal detail throughout a wide tonal range and grade your colours to perfection. I store the Final Cut Pro library on a highly portable external 2TB LaCie Rugged SSD Pro drive so that I don’t fill up my Mac with video files. I currently run Final Cut Pro on a 15-inch Apple MacBook Air. I used to edit in Final Cut Pro on a 2017 iMac but that was beginning to show its age and my footage in Final Cut Pro could skip frames. For example, once compositing a person into a new background I flatten the layers together then add some camera shake to unify all of the compound clip’s elements. You can then turn these multiple layers into a compound clip and then drag and drop an effect onto the compound clip to alter all of its contents at once. It also has a garbage matte that you can use to extend the transparency of a layer if you don’t have enough green backdrop behind your main subject. If you need to replace a green background with a clip on another layer then Final Cut Pro has a decent Green Screen tool to help you fill holes in a subject and adjust problems such as green spill. ![]() I can then play the Multicam clip in the timeline and tap a key when I want to cut from one camera angle to another in the main viewer - as if I was vision-mixing live! This is a very fast and easy way to sync and edit multiple clips! ![]() Final Cut Pro then uses the audio in the clips to combine them into a synced Multicam clip. Improves stability on Intel-based Mac models when using Color Wheels or Color Curves on H.264 video clips. I can shoot a scene using multiple cameras to cover a range of angles and shot sizes. Final Cut Pro combines revolutionary video editing with powerful media organisation and incredible performance to let you create at the speed of thought. YouTube can of course generate subtitles automatically but it’s far from accurate, especially with people’s names.Īnother key feature that I use a lot is Multicam. srt file that you can attach to your edited show on YouTube. You can also add subtitles to a dedicated caption track and export the subtitles as an. (Image credit: George Cairns / Digital Camera World)įinal Cut Pro lagged behind Premiere Pro for a long time when it came to motion tracking, but now Apple’s app can recognize and auto-track an object or face so you can attach a caption or effect to the moving subject. ![]() Here we’re looking at the Color & Effects Workspace. Final Cut Pro provides a range of scopes that enable you to analyse the spread of colours and tones in a clip while you grade it. ![]()
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